Neta Gal-Azmon: A Selection of Publications about Exhibitions Curated
“Cycles of Original and Imitation: Works 1973-2003,” in Gideon Gechtman, Hedva, Gideon, and All the Rest, ed. Neta Gal-Azmon, exh. leaflet (Tel Aviv: Artists’ House, 2003) (Hebrew).
“Fragments: Mosaics in Contemporary Israeli Art,” in Fragments: Mosaics and Reality in Contemporary Israeli Art, ed. Neta Gal-Azmon, exh. cat. (Tel Aviv: Time for Art Center, 2004), pp. 5–20 (Hebrew and English).
“Foreign Language,” in Foreign Language: Asad Azi and Meir Pichhadze, ed. Neta Gal-Azmon, exh. cat. (Umm el-Fahem: Umm el-Fahem Art Gallery, 2005), pp. 66–78 (Hebrew, Arabic, and English).
“Caught in a Thicket,” Sweet 16: On Teenagers and Adolescence, ed. Neta Gal-Azmon, exh. cat. (Bat Yam: Bat Yam Museum of Contemporary Art, 2007), pp. 30–38 (Hebrew and English).
“Feeling at Home,” in Zilla Leutenegger: Meet Me at the Library 9 P.M., ed. Neta Gal-Azmon, exh. leaflet (Tel Aviv: Center for Contemporary Art, 2007).
Sasha Serber: Nicht Fin Unzara (Not One of Us), exh. leaflet (Tel Aviv: Tavi Dresdner Gallery, 2008) (Hebrew).
Zilla Leutenegger: When Yesterday the Sea was Flat, exh. leaflet (Tel Aviv: The Heder Contemporary Art Gallery, 2011) (Hebrew).
Quarantine: Forty Days of Seclusion, ed. Neta Gal-Azmon, exh. cat. (Jerusalem: The Hansen House Design, Media and Technology Center, 2013) (Hebrew and English).
“Cliff Evans Citizen – The Wolf and Nanny,” in Exhibitions, February 14 – April 11, ed. Aya Lurie, exh. cat. (Herzliya: Herzliya Museum of Contemporary Art, 2015), pp. 40–41 (Hebrew and English).
“Zong Ning: Complementary Opposites in Constant Movement,” in Zong Ning: The Call of Utopia, ed. Neta Gal-Azmon, exh. cat. (Herzliya: Herzliya Museum of Contemporary Art, 2016), pp. 28–29 (Hebrew and English).
“Citizens: Remarks about Democtatorships,” in Citizens, ed. Neta Gal-Azmon, exh. cat. (Petach Tikva: Petach Tikva Museum of Art, 2017), pp. 120–121, 85–103 (Hebrew and English).